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Titlebook: Le Gothic; Influences and Appro Avril Horner (Professor of English),Sue Zlosnik (P Book 2008 Palgrave Macmillan, a division of Macmillan Pu

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Gothic Permutations from the 1790s to the 1970s: Rethinking the Marquis de Sade’s Legacyolved into a recyclable set of images, motifs and narrative devices that surpass temporal, spatial and generic categories. Recent literary criticism has reconfigured the Gothic spectrum both synchronically—by acknowledging its influence on numerous postmodern fictions—and diachronically—by rescripti
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Calvinist Gothic: The Case of Charles Brockden Brown’s Wieland, or the Transformation and James Hogg classification refers not only to Gothic fiction that took Calvinism as its subject but to a sub-genre whose predominant characteristics and concerns are marked by a Calvinist sensibility. To date, several scholars have noted the former aspect of Calvinist Gothic, while the latter has yet to be rec
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Colonial Ghosts: Mimicking Dickens in Americatentiary in Philadelphia, where he employs a ghost in order to critique the penal system. This represents a turning point in the narrative, one in which Dickens’s attempt to understand the institutions of democratic America (its schools, hospitals and prisons) is replaced by an assertion of a suppos
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Translating Technologies: Dickens, Kafka and the Gothicto write a Dickens novel, but enhanced by the brighter lights I would have taken from these times and the darker ones that I would have found within myself.. The link between Dickens and Kafka may not seem obvious, but it has been suitably traced in German studies, not yet, however, in terms of the
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