Titlebook: Latinx Literature Now; Between Evanescence Ricardo L. Ortiz Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive lic

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,(Latinx) Literature’s Work: Between Being and Becoming, Product and Practice,ally for a critical recalibration of Latinx literary criticism’s inter-implicated and more than simultaneous commitments to both. It uses work by Horacio Legrás and Jean-Marie Schaeffer to trace the return of critical interest in the complex material, practical, laborious ontology of the literary, i

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2634-601X akes of what it means to call a piece of writing ‘literature.Latinx Literature Now. engages with a diverse collection of works in Latinx literary studies, critical theory, and the philosophy of history, as well as a wide range of Latinx literary texts, in order to offer readers an alternative model

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,The Testimonial Imagination or, Literary Practice “After” Testimonio,ward Central America, specifically Guatemala, in order to trouble as well the conventional regional logics of Latinx literary studies by bringing the archipelago into more direct conversation with the isthmus.

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Un-Homey States: Econo-Mimetics of Homelessness in US Latinx Poetry,duardo Corral, Rigoberto González, and Ada Limón, who have published important collections in the second decade of the twenty-first century, a period conditioned simultaneously by state failures precipitating from both the financial collapse of 2008 and the indefinite stalemate on comprehensive immigration reform in the United States.

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Book 2019something other than a fixed, stable category of identity, as instead an ongoing process of becoming, one always capable of promise, but also always vulnerable to risk, threat, precarity and even disappearance: that is, as always more prone to the performative flash of an evanescence than to the ontological solidity of an event.

Inkling

Reiterating Performatives: The Writer, the Reader and the Risks of Literary Action,strains of post-structural theory that have put that criticism under such acute interrogation over the past fifty years. Without losing sight of the question of latinidad introduced in the previous section, this section focuses primarily on the question of the literary through its analysis of the figure and the work of the writer.

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