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Titlebook: Larkin, Ideology and Critical Violence; A Case of Wrongful C John Osborne Book 2008 John Osborne 2008 bibliography.critique.English.existen

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书目名称Larkin, Ideology and Critical Violence
副标题A Case of Wrongful C
编辑John Osborne
视频video
图书封面Titlebook: Larkin, Ideology and Critical Violence; A Case of Wrongful C John Osborne Book 2008 John Osborne 2008 bibliography.critique.English.existen
描述This volume combines a theoretical critique of the biographical method that dominates Larkin studies with a revolutionary interpretation of his works that better accounts for their profound influence upon leading Postmodernists like Ian McEwan, David Mitchell, Carol Ann Duffy, Damien Hirst - and the creators of Jerry Springer - the Opera .
出版日期Book 2008
关键词bibliography; critique; English; existentialism; gender; identity; ideology; interpret; knowledge; modernism;
版次1
doihttps://doi.org/10.1057/9780230598935
isbn_softcover978-1-349-51903-3
isbn_ebook978-0-230-59893-5
copyrightJohn Osborne 2008
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his works that better accounts for their profound influence upon leading Postmodernists like Ian McEwan, David Mitchell, Carol Ann Duffy, Damien Hirst - and the creators of Jerry Springer - the Opera .978-1-349-51903-3978-0-230-59893-5
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Larkin and Modernism: Poetry,, but not exclusively, the creation of Larkin detractors – had been dominated by descriptors like ‘middlebrow’, ‘suburban’, ‘provincial’, ‘genteel’, ‘middle-class’ and ‘defeatist’. Charles Tomlinson began his 1961 essay ‘Poetry Today’, in the seventh volume of the highly influential .:
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Larkin and Philosophy: Poststructuralism,nand de Saussure formulated before the First World War. In other words, Structuralism may be regarded as a Modernist methodology dislodged from its proper moment in history. It emphasized the systemic relationships within a cultural discourse, the abstract codes and conventions that governed the pro
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