Titlebook: Landscapes of Culture and Nature; Rod Giblett Book 2009 Palgrave Macmillan, a division of Macmillan Publishers Limited 2009 Australia.biod

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Terrace

BINGE

Somber

Wilderness to Wasteland: The Sublime, the Picturesque and the Uncanny in the Photography of the Amerme in photography. The sublime involves the formlessness of uplifting spectacles and produces feelings of awe and terror. By contrast, Carleton Watkins’s photographs of mountains reflected in still lakes express the picturesque in photography. The picturesque presents well-formed depictions of serene scenery and produces feelings of pleasure.

LEVER

The Nether World of the Uncanny City of Dreadful Nightistics to a (man-made) place (the city) that were previously ascribed to a place not made with human hands (the jungle, abyss, nether land of swamps and so on). The negative connotations that attach initially to the native quaking zone are attached subsequently to the feral quaking zone.

Irksome

Earth and Water in the Slime of World War I Trench Warfaree same ground several times in the case of WWI. Artillery bombardment created craters and troops dug trenches to escape this and other firepower. Rain filled both craters and trenches producing mud, a persistent feature of the landscape of trench warfare.

Handedness

Black and White Water: Cross-Cultural Colour-Coding of the Life-Blood of the Earth-Bodyndaries between categories. The title, on the other hand, naturally (or culturally) comes from cultural constructions of ethnicity, but also of water. Just as whites have coded, and valued, white as good and pure, so they (we) have coded black as bad and impure. These codifications and valuations apply as much to water and waters as to people.

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chemoprevention

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