Titlebook: Kenya After 50; Reconfiguring Educat Mickie Mwanzia Koster,Michael Mwenda Kithinji,Jero Book 2016 The Editor(s) (if applicable) and The Aut

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Kenya After 50978-1-137-57463-3Series ISSN 2634-5773 Series E-ISSN 2634-5781

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African Histories and Modernitieshttp://image.papertrans.cn/k/image/542410.jpg

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Reassessing Jomo Kenyatta’s Crackdown on Theatre for Education and Developmentwn on plays by African performers was swift and wide. Kenyatta’s administration summarily cancelled performances with “subversive” messages that allegedly undermined the spirit of national unity. Government spies routinely mingled with unsuspecting audiences in theatre halls and makeshift venues to identify dissident activities.

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Book 2016iod as well as postulate on the way forward. Through this exploration of the Kenyan experience since independence, the authors present an optimistic view that despite the many obstacles and challenges, the country still has promising prospects as a nation..

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Gender, Archiving, and Recognition: Naming and Erasing in Nairobi’s Cityscapetion of . and states in part, “State shall take legislative and other measures to implement the principle that not more than two-thirds of the members of elective or appointive bodies shall be of the same gender” (The Constitution of Kenya, 27 (8)). Section 21 mandates: