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Titlebook: Justice, Law and Culture; James K. Feibleman Book 1985 Martinus Nijhoff Publishers, Dordrecht 1985 justice

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发表于 2025-3-21 19:41:30 | 显示全部楼层 |阅读模式
书目名称Justice, Law and Culture
编辑James K. Feibleman
视频video
图书封面Titlebook: Justice, Law and Culture;  James K. Feibleman Book 1985 Martinus Nijhoff Publishers, Dordrecht 1985 justice
描述The following pages contain a theory of justice and a theory of law. Justice will be defined as the demand for a system of laws, and law as an established regulation which applies equally throughout a society and is backed by force. The demand for a system of laws is met by means of a legal system. The theory will have to include what the system and the laws are in­ tended to regulate. The reference is to all men and their possessions in a going concern. In the past all such theories have been discussed only in terms of society, justice as applicable to society and the laws promul­ gated within it. However, men and their societies are not the whole story: in recent centuries artifacts have played an increasingly important role. To leave them out of all consideration in the theory would be to leave the theory itself incomplete and even distorted. For the key conception ought to be one not of society but of culture. Society is an organization of men but culture is something more. I define culture (civilization has often been employed as a synonym) as an organization of men together with their material possessions. Such possessions consist in artifacts: material objects which have bee
出版日期Book 1985
关键词justice
版次1
doihttps://doi.org/10.1007/978-94-010-9449-8
isbn_softcover978-90-247-3147-3
isbn_ebook978-94-010-9449-8
copyrightMartinus Nijhoff Publishers, Dordrecht 1985
The information of publication is updating

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James K. Feiblemanail Bakhtin, Erich Auerbach, Henry Lukacs, and Fredric Jameson. There is no gainsaying the centrality of the ideas of these legendary critics to the spatial perspective. Any discussion of space would be significantly attenuated if one did not utilize the lenses of chronotope, mimesis, narrative arch
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James K. Feiblemand the interwar years in Britain.. While a growing body of scholarship dealing with feminist print media in the period has emerged in recent years, it is remarkable that this rich and extensive body of documents has existed for so long in relative obscurity. These publications have been of interest p
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James K. Feiblemannternally within the suffrage movement, within specific groups and organizations, as vehicles for identity formation and for mobilizing collective action, and their role in this internal dynamic was complicated by the factionalism of the movement. Secondly, they engaged with other publications and p
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James K. Feiblemanial movements operate, yet also pushes at the definitions of what a social movement is, and how its media might function. Movement media have typically been viewed as secondary to the formation of the ‘core’ movement; it is often assumed that social movements formulate grievances and collective iden
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James K. Feibleman, many people would be tempted to answer these questions in the affirmative. And if challenged, they can point to facts that support their answers. But there is something wrong about the affirmative answers. In this chapter, I draw on recent ideas in the philosophy of language and metaphysics to sho
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