Titlebook: Just Work; Narratives of Employ Grant Michelson,Shaun Ryan Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 2014 21

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Grant Michelson,Shaun Ryantably feminine poetry.. Certainly, we may want to use the concept of this feminine, affectional tradition, as it is characterized — and debated — in the works of Leighton, Marlon Ross,. and others, to describe a central part of Hemans’s .. But scholars such as Dan Albergotti and Nanora Sweet have ch

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Grant Michelson,Shaun Ryan, I argue that Hemans was the major British poet of Romantic death, a theme that performed powerful cultural and ideological work in the aftermath of the Revolutionary and Napoleonic crisis of Europe, its empires, and former colonies. In particular, Romantic death was an important theme and figure f

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Grant Michelson,Shaun Ryanems ‘could not have been written by a man’.. But it was not always so. For although toward the end of her brief career she had become an ‘ultra representative’. of the heavily gendered values for which women’s writing was celebrated in the critical press and in the general culture, Hemans’s earlier

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Grant Michelson,Shaun Ryan, I argue that Hemans was the major British poet of Romantic death, a theme that performed powerful cultural and ideological work in the aftermath of the Revolutionary and Napoleonic crisis of Europe, its empires, and former colonies. In particular, Romantic death was an important theme and figure f

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Grant Michelson,Shaun Ryanf poetry’ (p. 300), he nevertheless praises Hemans throughout for precisely those attributes — like the poem’s ‘elaborate finish’ (p. 299) — that he believes renders her poetry . that of other women.. Indeed, approbation for Hemans’s early poetry often reflected the extent to which formal and stylis

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Grant Michelson,Shaun Ryanstoms that have been left in disarray by her husband’s incompetence and possible cowardice. This engagement with the aftermath of death insistently shifts our attention away from the significance (or symbolic potency) of the dead and toward the . figure of the woman mourner and her mourning habits.