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Titlebook: Joseph Conrad; A Commemoration Norman Sherry Book 1976 Palgrave Macmillan, a division of Macmillan Publishers Limited 1976 commemoration.fi

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,Rhetoric and Ideology in Conrad’s ,work of fiction, like poetry, ‘should carry its justification in every line’, defined art itself in ethical terms, ‘as a single-minded attempt to render the highest kind of justice to the visible universe.’.
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Conrad and ,r’ and ., backed up Conrad while he was writing ., and even wrote a few pages himself for the last. Especially, as Conrad’s ‘large, blond, phlegmatic’ friend, Ford gave Conrad the ‘moral support’ he ‘passionately needed’. As for exerting direct literary influence, Ford says modestly: ‘I don’t really imagine that I really influenced Conrad at all.’
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Book 1976shed by Routledge in October 1995. The Critical Heritage series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media.
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Speech and Writing in ,sions of these and related matters by linguistics-oriented critics not only renew our questionings of the special nature of literary texts; they also show that literature itself regularly questions its privileged status as written language.
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