Titlebook: Japan and the Cosmopolitan Gothic; Specters of Modernit Michael J. Blouin Book 2013 Michael J. Blouin 2013 Winnifred Eaton.transnational.Go

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Nuclear Criticism and a Deferred Reading of the Toho Terror,of the nuclear event. Their goal was likewise clearly articulated in the introduction of the resultant book, . (2006), as a desire to position the big green signifier “within a matrix of meaning-laden cultural references and political valences” (Tsutsui and Ito 2006, 5). Although Nuclear Criticism a

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Atemporality and Communal Ethics in the Films of Shimizu Takashi,entic origin at the heart of the haunting—and thus, restore a sense of linearity.. These alterations continue to provoke a shared cultural anxiety that, repressed beneath the rigid markings of cinematic time, there resides a gaping lacuna.

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Conclusion,ters he trots out before them. The initial scare occurs when a giant bear stumbles through an abandoned hallway; here (and elsewhere) . exposes the Cold War hang-over of delusions that occupy American depictions of Eastern Europe. Viewers jump at the appearance of the bear only to sigh in relief at

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Introduction,Of the countless books concerning US-Japan cultural relations, no work treats this subject at length—which I found disconcerting as the phenomenon remains as prevalent as any other. There are fascinating adaptations of Japanese superstitions from the late nineteenth century, monstrous visions of a p

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Ghosts and Spirits in Early Japanology, utilize the trendy formulation of an imaginary Japan to contemplate unseen forces in a modernizing world. Ernest Fenollosa, a professor from Salem who taught philosophy at Tokyo University, spent the bulk of his career documenting these curios to reveal the energy behind world “progress.” Lafcadio

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,Ghostly Maidens in Sidney McCall’s Fiction,, Fenollosa and Hearn advocated distinct approaches to the archipelago: Fenollosa often calls for a synthesis of the East/West dialectic by way of a universal Spirit, while Hearn frequently employs Ghosts to re-affirm the mystique of the Far East and remind Americans of their humble origins.. Their

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Japonisme and the Female Gothic,. Shifts in cultural perception were not mutually exclusive; in particular, writers regularly constituted Japan as an imaginary space through gendered terms. This constructed locale, furnished with consumer products ranging from home décor to popular fiction, served as a canvas for multiple female a

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