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Titlebook: Jane Austen and Narrative Authority; Tara Ghoshal Wallace Book 1995 Palgrave Macmillan, a division of Macmillan Publishers Limited 1995 ar

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书目名称Jane Austen and Narrative Authority
编辑Tara Ghoshal Wallace
视频video
图书封面Titlebook: Jane Austen and Narrative Authority;  Tara Ghoshal Wallace Book 1995 Palgrave Macmillan, a division of Macmillan Publishers Limited 1995 ar
描述In Jane Austen and Narrative Authority, Tara Ghoshal Wallace argues that far from embodying ideological and technical serenity, Austen‘s novels articulate a range of anxieties about authorship and authority. The novels experiment in different ways with possible sources and the ultimate failures of authority, always returning to the compromised figure of the narrator. Wallace suggests that Austen‘s novelistic output can be read as a theory of interpretation, thematizing problems of narrative authority and readers‘ resistance.
出版日期Book 1995
关键词argue; corpus; interpret; Jane Austen; knowledge; novel; parody; resistance; sensibility; truth
版次1
doihttps://doi.org/10.1057/9780230372948
isbn_ebook978-0-230-37294-8
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1995
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Tara Ghoshal Wallacet systems applied in structural engineering, i.e. in structural safety and integrity assessment. Both the book and the course are a combination of a tutorial and of presentation of the current achievements in the field. Starting from the basic elements of expert systems (knowledge based systems), th
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Tara Ghoshal Wallace Field Service Engineer. The inference engine used a mixed-mode configuration, capable of running in either the forward or backward mode. The Help System provided the operator with assistance by displaying textual information, CAD diagrams or repair sequences from a video disk. The rules were writte
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Tara Ghoshal Wallace Field Service Engineer. The inference engine used a mixed-mode configuration, capable of running in either the forward or backward mode. The Help System provided the operator with assistance by displaying textual information, CAD diagrams or repair sequences from a video disk. The rules were writte
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and the Limits of Parody,re kept off-balance. In working towards her own conception of what constitutes novelistic discourse, Austen makes the reader a participant, now perhaps colluding with, now perhaps resisting the narrator’s evaluation of her own novel.
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Getting the Whole Truth in ,,roblem: it exposes the inadequacies alike of careful reticence, of ambiguity, and of absolute assurance, demonstrating how each of these strategies serves to block access to the ‘whole truth’ in narrative.
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Straight Talk in ,,tive voice and characters’ speech. My reading of . does not deny any of these artistic techniques, but argues that even while Austen deploys them, she simultaneously questions her own artful constructs, inscribing into her text interrogations and even subversions of her own subtleties.
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