Titlebook: Italian Motherhood on Screen; Giovanna Faleschini Lerner,Maria Elena D’Amelio Book 2017 The Editor(s) (if applicable) and The Author(s) 20

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Millicent Marcusy for the past 21 years. In hospital it has been possible to illustrate what I have had to discuss by reference to cases at present in the wards. This unfortunately is not possible to the same extent in a book, but I have no doubt that my readers will be able to apply the principles described to cas

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Giovanna Faleschini LernerThe cause of the onset of labour is by no means clearly understood, but a variety of factors probably play a part. There is increasing evidence that the foetus, possibly stimulated by progressive oxygen lack as the placenta ages towards term, may contribute to the initiation of labour. It is clear a

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Giusy Di Filippoy about two billion people. These beneficial effects, taste, and aroma are mainly contributed by the essential oil present in the leaves. This oil can be extracted from the leaves by various methods, but the betel leaf oil extractor is an efficient and economic option. The oil yield may range from 0

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Introduction: Italian Motherhood on Screen, essays that consider the specificity of experiences of the maternal as projected and interrogated in recent Italian films. Our authors propose a variety of thematic concerns as well as different theoretical methodologies, all solidly anchored in feminist criticism and film theory.

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Maternal Ambivalence in Contemporary Italian Cinemat focus on women who struggle to reconcile the expectations of motherhood with the conflicting emotions they experience as mothers. While many scholars have defined this conflict as ‘maternal ambivalence’, the Italian philosopher Adriana Cavarero, proposes an alternative notion, that of ‘maternal in

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‘A Bad Mother and a Small Heap of Bones:’ Maternal Indifference in Alessandro Capone’s , yet ultimately re-affirms the naturalness of maternal love. Engaging with Rozsika Parker’s psychoanalytic notions of maternal ambivalence, guilt, and shame, Karagoz contests the film’s reduction of the protagonist’s story to a drama of maternal ambivalence—its assumption that she simultaneously lov