书目名称 | Italian Motherhood on Screen | 编辑 | Giovanna Faleschini Lerner,Maria Elena D’Amelio | 视频video | http://file.papertrans.cn/476/475973/475973.mp4 | 概述 | This book is the first study of motherhood in Italian cinema to focus on concrete experiences of the maternal, their diversity, and their relationship with the notion of crisis.Includes emerging and e | 丛书名称 | Italian and Italian American Studies | 图书封面 |  | 描述 | .This book is the first scholarly analysis that considers the specificity of situated experiences of the maternal from a variety of theoretical perspectives. From “Fertility Day” to “Family Day,” the concept of motherhood has been at the center of the public debate in contemporary Italy, partly in response to the perceived crisis of the family, the economic crisis, and the crisis of national identity, provoked by the forces of globalization and migration, secularization, and the instability of labor markets. Through essays by an international cohort of established and emerging scholars, this volume aims to read these shifts in cinematic terms. How does Italian cinema represent, negotiate, and elaborate changing definitions of motherhood in narrative, formal, and stylistic terms? The essays in this volume focus on the figures of working mothers, women who opt for a child-free adulthood, single mothers, ambivalent mothers, lost mothers, or imperfect mothers, who populate contemporary screen narratives. . | 出版日期 | Book 2017 | 关键词 | feminist film theory; film history; Italian Film; representations of motherhood; social politics | 版次 | 1 | doi | https://doi.org/10.1007/978-3-319-56675-7 | isbn_softcover | 978-3-319-85970-5 | isbn_ebook | 978-3-319-56675-7Series ISSN 2635-2931 Series E-ISSN 2635-294X | issn_series | 2635-2931 | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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