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Titlebook: It Came From the 1950s!; Popular Culture, Pop Darryl Jones (Head of the School of English and Fe Book 2011 Palgrave Macmillan, a division o

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,‘A Search for the Father-Image’: Masculine Anxiety in Robert Bloch’s 1950s Fiction, within the confines of the pulp fiction magazine: a form of literature that is often perceived to be at best adolescent fantasy and at worst misogynist exploitation. Bloch does not always avoid the outrageous sensationalism of his contemporaries, but uses his own tastes, developed as a young reader
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,‘At My Cooking I Feel It Looking’: Food, Domestic Fantasies and Consumer Anxiety in Sylvia Plath’s ’.. In later correspondence, she also affirms that food advertising in magazines provides her with ‘an Americaness’ she feels ‘a need to dip into’.. It would seem that during the Fifties — and even up to her death in 1963 — Plath was responding enthusiastically to a burgeoning consumer desire to pur
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Fast Cars and Bullet Bras: The Image of the Female Juvenile Delinquent in 1950s America,creamin’ Jay Hawkins, Eddie Cochran, The Flamingos and Jackie Wilson. Long before the advent of the music video, the . of such films was to give their teenage audiences the opportunity to see their favourite artists in action.
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A-Bombs, B-Pictures, and C-Cups,every peak, crevasse and ridge of the nearby mountain range with a clarity and beauty that cannot be described but must be seen to be imagined. It was that beauty that the great poets dream about but describe most poorly and inadequately.’
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Introduction,entification of myself with the poem’, which signified for him ‘the record of our difficult and problematic search for faith’ in the modern world. His second symphony, composed in 1948–9, is his own record of his engagement with the poem’s themes and ideas; he called this symphony ..
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