Titlebook: Irish Cultures of Travel; Writing on the Conti Raphaël Ingelbien Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Irish liter

小步舞

,‘Brethren and Sisters Going Abroad’: Irish Travel Writing Beyond the Grand Tour,ith a traditional aristocratic disdain for the medium of print. Even when it found its way into print, travel writing could still remain fairly confidential in tone, as Grand Tourists often addressed family members or social peers in the form of letters, or committed their impressions in originally private diaries.

amputation

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Conclusion,lway is in many ways connected with the present war. Professor Max Drennan, who holds the chair of English at the University, is at present on holidays on the Continent, and he has not been heard of since the outbreak of the war’. The newspaper went on to give the supposed thereabouts of local worthies who were known to be journeying abroad.

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精确

2731-3182 terials, from periodicals to canonical fiction such as JoyceThis book analyses travel texts aimed at the emergent Irish middle classes in the long nineteenth century. Unlike travel writing about Ireland, Irish travel writing about foreign spaces has been under-researched. Drawing on a wide range of

FORGO

,‘Yes, The Newspapers Were Right’: Revisiting Tourism in Joyce’s ‘The Dead’,ist newspaper, the nationalist Miss Ivors challenges her friend and fellow teacher Gabriel Conroy on the subject of his choice of destination for the summer holidays:A moment later, Miss Ivors leans into Gabriel’s ear to repeat the insult with which she had taunted him for his reviewing: ‘West Briton!’

Nibble

Introduction,ourists who use cheap airfares to go on foreign holidays. The latter, however, are also an important constituency within Ireland; one aim of this book is to show that they have been travelling out of the country for longer and in greater numbers than is often recognized in a culture where emigration

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铁砧

Utilitarians, Nationalist Pilgrims and Time Travellers: Carrying and Seeing Ireland Abroad,Foreign Travel’ set the tone for a distinctly Irish culture of travel that had clear patriotic, and even nationalist overtones. Irish nationalism, however, underwent many changes and took on many forms in the period that stretched from the emergence of Davis’s Young Ireland movement to the War of In

A保存的

Sisters Abroad: Constructing the Irish Female Tourist, and that the Nore and Blackwater ran by castled crags like their sweet voices over old songs’. Like many occupations, travel—and foreign travel in particular—was not an obvious pastime for women in the Victorian era: the ‘angel in the house’ was largely supposed to stay within the domestic sphere.