Titlebook: Invisibility in Visual and Material Culture; Asbjørn Grønstad,Øyvind Vågnes Book 2019 The Editor(s) (if applicable) and The Author(s), und

Compass

Neurointerfaces, Mental Imagery and Sensory Translation in Art and Science in the Digital Age,ly the epistemic claims behind various brain-scanning technologies, focusing on the status of the inner images that underlie cognitive activity. Multimedia performances and artistic experiments designed in collaboration with neuroscientists open up new dimensions in the discussion of translation bet

掺假

,Invisibility and the Ethics of Erasure: Khaled Barakeh’s ,erialize the invisible, the chapter shows how this way of representing suffering sidesteps both the aestheticization of pain and the reduction of affect some critics see as endemic to contemporary visual culture. Paying careful attention to the dynamic interplay between invisibility and visibility a

esoteric

Neither Visible Nor Hidden: The Structuring of the Sensible,through various kinds of media by people around the world. This chapter reflects on how the outpouring of subsequent Kurdi images sourced from the original photograph are inter-linked with each other and engaged in a visual dialog that no one fragment is entirely privy to, yet gestures towards. Thes

obviate

教育学

,Hearing and Seeing the In/Visible: Anne Charlotte Robertson’s ,, and this loss of faculty plays a constitutive role in her work. In her diary film it takes the form of a particular use of multiple parallel audio tracks that fulfill different functions: some reflect the events of her daily life, others chronicle various iterations of mania the filmmaker was livi

缩影

Decline

逢迎春日

irritation

Asbjørn Grønstad,Øyvind Vågnesstart an equity fund for developing countries, he discovered that there is a stigma attached to the term ‘developing countries’ and is synonymous with lack of progress. Consequently he could not attract funding. To overcome this problem, he coined the term ‘emerging market’ so that they would be ass

oncologist