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Titlebook: Invisibility in Visual and Material Culture; Asbjørn Grønstad,Øyvind Vågnes Book 2019 The Editor(s) (if applicable) and The Author(s), und

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发表于 2025-3-21 18:14:17 | 显示全部楼层 |阅读模式
书目名称Invisibility in Visual and Material Culture
编辑Asbjørn Grønstad,Øyvind Vågnes
视频video
概述Constitutes the first book-length study on the subject of invisibility.Provides a strongly interdisciplinary investigation, involving contributions from art history, media studies, literature, cultura
图书封面Titlebook: Invisibility in Visual and Material Culture;  Asbjørn Grønstad,Øyvind Vågnes Book 2019 The Editor(s) (if applicable) and The Author(s), und
描述The essays in .Invisibility in Visual and Material Culture. contribute pioneering and revelatory insights into the phenomenon of invisibility, forging new and multi-disciplinary approaches at the intersection of aesthetics, technology, representation and politics. Importantly, they acknowledge the complex interaction between invisibility and its opposite, visibility, arguing that the one cannot be fully grasped without the other. Considering these entanglements across different media forms, the chapters reveal that the invisible affects many cultural domains, from digital communication and operative images to the activism of social movements, as well as to identity, race, gender and class issues. Whether the subject is comic books, photographic provocations, biometric and brainwave sensing technologies, letters, or a cinematic diary, the analyses in this book engage critically and theoretically with the topic of invisibility and thus represent the first scholarly study to identifyits importance for the field of visual culture. . .
出版日期Book 2019
关键词aesthetics; technology; representation; art; photography; politics; visibility; digital communication; ident
版次1
doihttps://doi.org/10.1007/978-3-030-16291-7
isbn_softcover978-3-030-16293-1
isbn_ebook978-3-030-16291-7
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Book 2019phic provocations, biometric and brainwave sensing technologies, letters, or a cinematic diary, the analyses in this book engage critically and theoretically with the topic of invisibility and thus represent the first scholarly study to identifyits importance for the field of visual culture. . .
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