Titlebook: Internationalism in Children‘s Series; Karen Sands-O’Connor (Professor of English),Mariet Book 2014 Palgrave Macmillan, a division of Macm

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The Stratemeyer Chums Have Fun in the Caribbean: America and Empire in Children’s Seriesyages Extraordinaires (1863–1905), and Joachim Campe’s travels through America for young German readers (1799) are all examples of early children’s series fiction that brought the outside world to young readers. By the late nineteenth century, such fiction also had another function: to instruct chil

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’A really big theme’: Americanization and World Peace — Internationalism and/ as Nationalism in Lucyshores, few are more essentially international than the Twins of the World books (1911–38) written and illustrated by Lucy Fitch Perkins. Consisting of 26 volumes, divided into geographical and historical series, the Twins books detail the lives of twin protagonists, usually a boy and a girl between

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‘A bit of life actually lived in a foreign land’: Internationalism as World Friendship in Children’sy (Kuehl 38–56), and at the beginning of the twentieth century by organizations like the Carnegie Endowment for International Peace (Patterson 371) and the Women’s International League for Peace and Freedom (Rupp 1575). Encouraged by educators (Dewey 516), publishers (Ballou 504), and authors (Perki

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Lost Cities: Generic Conventions, Hidden Places, and Primitivism in Juvenile Series Mysteries, especially through the mid-twentieth century, were generally homebound. Early, pre-World War I series such as the Rover Boys and Tom Swift often featured international travel located mostly in the Western hemisphere, whether to Mexico . . [1907] and . . [1912]); the Arctic North . [1908] and . [19

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Wizard in Translation: Linguistic and Cultural Concerns in Harry Potter6), is something educators, readers, and citizens of our increasingly globalized society likely recognize as important. Yet, due to many legal and financial challenges facing the publications and redistribution of children’s books outside one’s native country, not to mention the reluctance of child

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‘Hungry ghosts’: Kirsty Murray’s Irish-Australian Children of the Wind Seriesand . . (2006). Briefly summarized, ‘“Children of the Wind” is a sweeping Irish-Australian saga made up of Bridie’s story, Patrick’s story, Colm’s story and Maeve’s story; four interlinked novels, beginning with the 1850s and moving right up to the present’ . .. Commenting on her overarching vision

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