Titlebook: International Relations, Music and Diplomacy; Sounds and Voices on Frédéric Ramel,Cécile Prévost-Thomas Book 2018 The Editor(s) (if applica

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Schaeffer, Boulez, and the Everyday Diplomacies of French Decolonizationa rather unexplored prism, namely, that of their respective roles in the decolonization of French diplomacy during the central decades of the past century. More specifically, it aims to ascertain to what extent, if any, Boulez and Schaeffer’s possible contributions to the decolonization of French di

Pessary

Negotiating the Pitch: For a Diplomatic History of ,, at the Crossroads of Politics, Music, Science international conference held in London in 1939. The adoption of this norm was the result of decades of international negotiations involving a surprising mix of actors: musicians (performers and composers), instrument builders, physicists, representatives of different state ministries and broadcasti

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Music, Diplomacy and International Solidarity: The Campaign for Miguel Ángel Estrella (1977–1980)lla were quick to react and mobilize: in Paris, Yves and Martine Haguenauer founded the “Comité de soutien de Miguel Estrella” (Miguel Estrella Support Committee) with the sponsorship of Nadia Boulanger, Henri Dutilleux and Yehudi Menuhin. During two years the committee conducted an intense campaign

混合

The Eurovision Song Contest in the Musical Diplomacy of Authoritarian Statese most popular television programs in Europe. It is organized annually by the European Broadcasting Union, whose members now include public broadcasters from almost every European state. As it is based on national entries, Eurovision provides an interesting case study of how states have imagined and

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Music that Divides: The Case of Russian Musical Diplomacy in the Baltic Statesinternational borders, as acts of diplomacy. Music can perform diplomatic functions, defined as representation and communication. As a social activity, embedded in a specific socio-political context, music is loaded with symbolic meaning which subsequently is interpreted by the receiving society. Th

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Of Dreams and Desire: Diplomacy and Musical Nation Branding Since the Early Modern Period research in the field under investigation. Then, I will identify what I see as a common challenge in nearly all of the chapters included in this volume. Finally, I would like to suggest different ways how to meet that challenge by pointing to a singular phenomenon spanning across space and time. I

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