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Titlebook: Intermediate Natures; The Landscapes of Mi James Corner,Gilles A. Tiberghien Book 2009Latest edition Birkhäuser Basel 2009 Great Britain.Ne

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楼主: Perforation
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James Corner,Gilles A. Tiberghienssues for real life interventions Author is internationally ​ This book focuses on the experience of father‘s lives after a divorce, and how mental health professionals can help them create a healthy transition. Through the use of case examples critical issues are highlighted and discussed with supp
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James Corner,Gilles A. Tiberghienssues for real life interventions Author is internationally ​ This book focuses on the experience of father‘s lives after a divorce, and how mental health professionals can help them create a healthy transition. Through the use of case examples critical issues are highlighted and discussed with supp
发表于 2025-3-25 16:59:07 | 显示全部楼层
Agriculture, Texture, And The Unfinished, shifting and changing ecology,Michel Desvigne approaches landscape architecture as a formof earthmarking that is inevitably provisional, staged and cumulative. This provisional condition is not simply amarking or a form, however, butmore amaterial environment that effects and propels its own develo
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Introduction,the seductive images in architecture books, nothing reminiscent of photogenic models, nothing that could be compared to the paradisiacal computer-generated images that clutter the trade journals.My work requires few objectsideally none at all-and only ordinarymaterials. It does not entail any heroic
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Territories And Shapes Of Time,n of making them denser, changing their allocation, embellishing them.We know empirically the duration of these transformations, whether they involve large landscapes or bits of the cities. We know fromexperience that 30 or so years are needed to forma neighborhood, and that, in addition, these rela
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Urban Fields,re-Olmsted’s parks in particular-were, at their inception, only settings-in-the-making. The images that have been preserved reveal outdated devices. Building in the city, one runs up against the absence of synchronization: the rhythms of the landscape are not those that make up the built neighborhoo
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Transpositions,omposed of a range of materials, juxtaposing multiple forms; the built works determine the voids without precise definition. It can be tempting to give these spaces a documented, and therefore reassuring, structure. Often, however, people merely use a contemporary vocabulary, which serves as a sign,
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