Titlebook: Intermedial Performance and Politics in the Public Sphere; Katia Arfara,Aneta Mancewicz,Ralf Remshardt Book 2018 The Editor(s) (if applica

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Intermedial Performance as a Public Sphere,tive nature of identities and that self-reflexively incorporates new media. As such it can effectively negotiate between private and public realms in a mediatized culture and society. The chapter uses Dries Verhoeven’s . (first conceived in 2008) as a case study.

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2946-3092 a lively, dynamic discussion across several disciplines, incThis volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic pract

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Refugee Theatre in the (Inter)medial Matrix: , and the Limits of Theatre as Public Sphere,y, the German theatre has worked with the introduction of actual refugees on stage as a way of breaking down the borders of mere representation. The chapter argues that because of the irreducibly mediated presence of refugees, such a strategy quickly leads to an aesthetic impasse, an impasse already reflected but unresolved in the Jelinek text.

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Book 2018on of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corpor

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