Titlebook: Intercultural Aesthetics; A Worldview Perspect Antoon Braembussche,Heinz Kimmerle,Nicole Note Book 2009 Springer Science+Business Media B.V

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The Origins of Landscape Painting: An Intercultural Perspective,should be dated in the period of the Renaissance. However, I shall show that such an outlook is based on a restricted view. In order to reveal the limitation of such a view, I shall refer to the tradition of Chinese landscape painting. It is much older than the European one and it has a completely d

Palpitation

Nishida, Aesthetics, and the Limits of Cultural Synthesis,sson. In aesthetics as in the whole of the rest of his philosophy, Nishida has a special value for students of comparative thought. As my Japanese colleagues have told me repeatedly, Nishida was one of the last Japanese to be brought up in what they call the old Japanese way of thinking. What is uni

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The , Theory: A Challenge for Intercultural Aesthetics, under the scope of the colonial approach of comparativist enterprises undertaken by Westerners as well as by Indians, and more recently from various post-colonial perspectives, the reflection on . or ‘aesthetic pleasure‘ — the expression by which it has been popularized in Western languages — has b

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Visual Archives and the Holocaust: Christian Boltanski, Ydessa Hendeles and Peter Forgacs, cluster consists exclusively of historical genres. The genres that are considered to be the most appropriate to depict the Holocaust events are those that are historical par excellence, those that do not provide a fictional account of history, but that offer history in its most direct, tangible for

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