Titlebook: Innovations in Bio-Inspired Computing and Applications; Proceedings of the 1 Ajith Abraham,Mrutyunjaya Panda,Kun Ma Conference proceedings

扔掉掐死你

P. Prabhavathy,B. K. Tripathy,M. Venkatesana platforms and multi-sided markets, and their potential for.The digital revolution is changing virtually every aspect of the business world. However, most attempts at the digital transformation of enterprises fail – largely because of a lack of comprehensive and coherent strategy. This book takes l

使害怕

Saroj Kumar Panda,Papia Ray,Debani Prasad Mishraa platforms and multi-sided markets, and their potential for.The digital revolution is changing virtually every aspect of the business world. However, most attempts at the digital transformation of enterprises fail – largely because of a lack of comprehensive and coherent strategy. This book takes l

Ambiguous

Ashish Tiwary,Yashraj,Amar Kumar,Mandeep Birulyvation of particular cases to the conduct of more systematic studies of citizen’s tendencies to engage in political talk (e.g., Delli Carpini et al., this volume), their views of deliberation (e.g., Walsh, 2004) and the impact of deliberation on participants’ attitudes (e.g., Luskin, et al., 2002).

骑师

Vanita Ramrakhiyani,Niketa Gandhi,Sanjay Deshmukhvation of particular cases to the conduct of more systematic studies of citizen’s tendencies to engage in political talk (e.g., Delli Carpini et al., this volume), their views of deliberation (e.g., Walsh, 2004) and the impact of deliberation on participants’ attitudes (e.g., Luskin, et al., 2002).

轻浮女

on. and .Margaret Atwood’s .MaddAddam. trilogy, the book seeks not only to track the transformation of dystopia in light of worldwide cultural, political and economic transformation, but also to conduct a schizoanalytic reading of dystopia, thus opening up an exciting field of enquiry for Deleuzian

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梯田

Spinous-Process

cocoon

G. Rekha,Amit Kumar Tyagihildren who are forced to work as child artists by their parents and peer pressure. Based on the author’s inside experiences as a member of the production crews and the auto-ethnographic accounts that result from the same (besides in-depth interviews and focus group sessions with the child artists),

悲痛