Titlebook: Indigenous Media and Popular Culture in the Philippines; Representations, Voi Jason Paolo Telles Book 2024 The Editor(s) (if applicable) an

失眠症

原告

Negotiations on Necropolitics and Death in the Cinema on the Indigenous Peoples of Mindanao death” (92), this chapter explores how the rendering of death in the film . is primarily entwined in the unequal economic distribution, anti-poor policies that favor foreigners, and draconian power interplay propagated by the Philippine state. Furthermore, the systemic disenfranchisement toward Ind

patriot

Distress in the Agusan Marshlands: Mapping Landscapes of Fear in Francis Xavier Pasion’s , (2014)scape portrayed in the film illustrates fear as experienced by the characters. Finally, I draw attention to the conceptions and the manifestations of fear outlined by Yi-Fu Tuan in . (1979), where the potential roots of human society’s “Fear of Nature” correlate with Filipino conventions and Indigen

不断的变动

Igorot Self-Representation in the , on Facebookecent rhetorical invention that optimizes the affordances of social media such as Facebook. Using David Zarefsky’s (2019) framework of argumentation as a perspective and James Martin’s (2014) rhetorical political analysis as a method, this paper asks: How does the . constitute a rhetorical invention

领先

Reflexive Performance in Digital Spaces as Cultural Agency Among the Manobo-Pulanguiyenonal and cultural performances. My interlocutors perceive social media as a platform to articulate Indigenous creativity, reflexivity, and necessity as a counternarrative to the changing landscapes, socio-political and cultural ruptures, and negative stereotypes originating from colonialism, develop

和平主义者

Reframing and Reclaiming Kulintang Music: Countering Written History with Contemporary Reality from ethnographic fieldwork in Mindanao in collaboration with master artists. Despite its problematic approach, Densmore’s article is still read as one of the first works of comparative musicology, the foundation of ethnomusicology, and continues to circulate misrepresentations of Philippine Indige

Incommensurate

When Lumad Youth (Re)Write the Indigenous and the Juvenile: Constructiveness in Children’s Books Toldren in popularizing the struggles faced by Indigenous juvenile populations. This chapter explores their autopoietic reconstructions of Indigenous juvenile selves in examples of LCYA, namely . (., 2019) and the anthology . (. 2019). Both books purport to contribute to the Lumad people’s movement for

micronutrients

Lumad Indigenous Values and Voices in Citizen and Alternative Media Narrativestedness of the land with Lumad life, culture, and religion, communal land ownership, labor for the betterment of the community’s needs, education aimed at understanding and cherishing cultural identity and heritage, as well as the pursuit of inner peace and the defense of ancestral domains. This cha

种属关系

曲解

Space, Memory, and the Right to Be Remembered: The Case of the Heroes’ Monument of the Butbut Tribe ignificant threat to their ancestral domain. Furthermore, this chapter investigates how the media portrayed the state’s narrative in contrast to the narrative of the resistance against the Chico Dam construction spanning the 1970s to the 1980s. It also considers the context of the demolition of the