Titlebook: Indigenous African Popular Music, Volume 1; Prophets and Philoso Abiodun Salawu,Israel A. Fadipe Book 2022 The Editor(s) (if applicable) an

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Indigenous and Modern Zimbabwean Music: Reflections from Thomas Mapfumo’s , Music Genrevery important in the different countries where it is performed, correspondingly, in Zimbabwe. . music is a reputable Zimbabwe indigenous popular music genre that has been popularised by Thomas Mapfumo. However, this music genre has been performed for a long time dating back to the liberation strugg

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Rhythmic Signifying in Popular Venda Musicighlight the music’s traditional elements. The unique . rhythmic figure is a prototype and forms the basis for much of traditional Venda dance music and is also used to foster Venda cultural pride. Different popular Venda musicians communicate traditional values using multiple permutations of the .

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Baansi ni Yila: A Critical History of the Music Industry in Northern Ghanas of Tamale, one of Ghana’s biggest cities, have for some time now been making efforts to gain national attention. We ground the study and situate it in conversations on the traditional and neo-traditional music of Dagbaŋ. Through interviews, we draw on the perspectives of musicians to discuss the h

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Exploring the Value Systems Embedded in Indigenous Yorùbá Music Genres and Yorùbá Nursery Rhymesg, and to articulate sociocultural values, political agenda, dynamics in power relations, as well as a medium to preserve and transfer knowledge across generations. We deliberate on Yorùbá indigenous music and nursery rhymes as major cultural tools for inculcating morals and values; reinforcing conf

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Cultural Frames: Sociocultural Metaphors in Owerri-Igbo Bongo Musics studies on Owerri-Igbo Bongo Music have focused on analysing the socio-political namely, resistance to cultural hegemony issues in the lyrics and that of the language and cultural renaissance, those that investigated African indigenous music have mostly focused on Nigerian hip-hop music, exploring

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