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Titlebook: Imagined Transnationalism; U.S. Latino/a Litera Kevin Concannon,Francisco A. Lomelí,Marc Priewe Book 2009 Palgrave Macmillan, a division of

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,“A Broader and Wiser Revolution”: Refiguring Chicano Nationalist Politics in Latin American Conscio gone?” This article will explore how the contemporary post-. Chicano/a literary productions of Rolando Hinojosa, Graciela Limón, Helena María Viramontes, and Cherríe Moraga have effectively answered that question by developing narratives of political consciousness and struggle that do not discard t
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With Bertolt Brecht and the Aztecs Toward an Imagined Transnation: A Literary Case Study,iplicity, transnational as well as transcultural clusters and networks, and mostly shaped by the challenging, dismantling, and remaking of public identities, such as Ulf Hannerz’s notion of the “global ecumene.”. All this piles on the pressure upon modern nation-states whose traditional demarcations
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,Travel, Autoethnography, and Oppositional Consciousness in Juan Felipe Herrera’s ,Rights Chicano activism (late 1960s and early 1970s) and adopted an . (indigenist) aesthetics as a strategy of cultural affirmation and opposition to the Anglo mainstream. Herrera straddles generations in that, although the indigenous continues to be a major concern in his work, he has gradually gro
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,The Final Frontier: Guillermo Gómez-Peña’s ,in America, and the art world of the North Atlantic corridor,” is a transnational figure in terms of his biography and his work (Mendieta 2003, 539). Gómez-Peña has forged a composite identity as a Mexican-born artist who resides mainly in the United States and who describes himself as a “Mexican in
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,Writing the Haitian Diaspora: The Transnational Contexts of Edwidge Danticat’s ,seen network of special prisons for foreign detainees” scattered across the United States, and into which “ome 33,000 people are crammed … on [any] given day, waiting to be deported or for a judge to let them stay” in the country. The series of reports, which devotes considerable attention to a r
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