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Titlebook: Hysterical Fictions; The ‘Woman‘s Novel‘ Clare Hanson Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited 2000 fictio

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The Early Years: Politics and Poetry,ems even more pertinent to the explorations of female embodiment in Elizabeth Taylor’s fiction. The core of Irigaray’s critique of phallogocentrism can be found in her first major work, ... Here, Irigaray argues that the Western metaphysical tradition is founded on an elision of the feminine. Woman,
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https://doi.org/10.1007/978-3-658-41570-9 force’. Nonetheless, her fiction is structured around the dilemma which Radner sees as central to the woman’s novel, defining it in terms of its content and form. That dilemma is of course the ‘mind/body problem’, the conflict which the ‘educated woman’ experiences between the claims of the intelle
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https://doi.org/10.1007/978-1-349-00315-0 complete with prunes and custard for dinner.. Woolf’s diary records in more detail her impressions when she first visited Girton to give a talk on women and fiction. She wrote of the students as ‘starved but valiant young women … Intelligent, eager, poor; & destined to become schoolmistresses in sh
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The Early Years: Politics and Poetry,, ‘This specular game essentially functions at the expense of the woman’s body; material body, matrix of being, it is repudiated and devalued by the self-affirmation of the masculine logos.’. A metaphor which Irigaray concentrates on in this respect is that of the mirror. The woman’s body functions
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https://doi.org/10.1007/978-3-658-36923-1tion and emotional naivety of her heroines. They are not so much naive as innocent and hopeful, and this is the most interesting aspect of Brookner’s treatment of romance. Most feminist analysis of romance has explored it from a psychoanalytic point of view. Janice Radway’s classic study ., for exam
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