Titlebook: Hysteria, Trauma and Melancholia; Performative Maladie Christina Wald Book 2007 Palgrave Macmillan, a division of Macmillan Publishers Limi

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William Corder and the Red Barn Murder as ‘performative maladies ’, as tropes for the performative constitution and maintenance of gender. In order to substantiate this thesis in the play readings, I have brought together hysteria/trauma/melancholia theory, performance theory, and Butler’s theory of gender performativity.

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Conclusion: The Drama of Performative Malady, as ‘performative maladies ’, as tropes for the performative constitution and maintenance of gender. In order to substantiate this thesis in the play readings, I have brought together hysteria/trauma/melancholia theory, performance theory, and Butler’s theory of gender performativity.

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study in its field, Hysteria, Trauma and Melancholia explores the characteristics and concerns of the Drama of Hysteria, Trauma and Melancholia through in-depth readings of representative plays.978-0-230-28861-4

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https://doi.org/10.1057/9780230287235nd melancholia serve as explanatory patterns to account for the experiences, biographies, and behaviours of individuals, but they are also, on a more abstract level, employed to explain collective and sociocultural phenomena.

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Thoreau: A Purely Sensuous Heaven,eon” hysteria (Mentzos 2000 [1991]: 13). Not only is hysteria modelled ‘stylistically’ on its surrounding culture, but it might also be a consequence of the tensions, conflicts and crises of a specific culture, as Stavros Mentzos and others have argued (Bronfen 1998b, Mentzos 2000 [1991], Roudinesco 2001).

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Introduction: Theatrical Performance, Gender Performativity, and the Drama of Performative Malady,nd melancholia serve as explanatory patterns to account for the experiences, biographies, and behaviours of individuals, but they are also, on a more abstract level, employed to explain collective and sociocultural phenomena.

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The Philosophical and Political Context,such as Alan Ayckbourn, Shelagh Stephenson, Sebastian Barry, and Dermot Bolger have contributed, I have chosen ., and . for closer analysis,. since they allow a particularly productive discussion of crucial aspects that concern the interface of melancholia and gender identity in the Drama of Melancholia.

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Trauma Drama,uch as Pierre Janet, Alfred Binet, and Morton Price — developed the concept of . trauma. Present-day psychiatric explanations of traumatisation are based on these accounts, and especially Freud ’s psychoanalytic theory has informed the current medical and, even more prominently so, cultural theoretical notions of trauma.