Titlebook: Human Rights, Social Movements and Activism in Contemporary Latin American Cinema; Mariana Cunha,Antônio Márcio da Silva Book 2018 The Edi

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The Right to Nature: Contested Landscapes and Indigenous Territoriality in , (2016),us ethnocide. It discusses these issues in relation to the depiction of indigenous contested landscapes, portrayed through a historical account of the struggle of the Guarani-Kaiowá groups in the state of Mato Grosso do Sul, in Brazil. The chapter argues that, through a historical prism that problem

带来墨水

Urban Occupations: Cinema and the Struggle for the Right to Housing,ions of cinema that go beyond the consecrated forms, such as documentary or fiction films. It focuses on a cinema that has urgency as one of its principal characteristics and embraces the circulation of images as unedited videos, interviews, recordings of demonstrations, public lessons or even as a

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The Art of the Social Movement Corrective: On Redeeming the Human Rights Narrative in , and ,eral, global production structures. It juxtaposes the production processes and narrative forms of two contemporaneous films about the Bolivian Water Wars in early 2000: . (IcíarBollaín, 2010) and . (David Gordon Green, 2015). The chapter examines how both films metafictionally depict this social mov

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Human Rights, Social Movements and Activism in Contemporary Latin American Cinema

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Human Rights, Social Movements and Activism in Contemporary Latin American Cinema978-3-319-96208-5

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