Titlebook: How Colours Matter to Philosophy; Marcos Silva Book 2017 Springer International Publishing AG 2017 Cognition.Colors.Colors and Analytic Ph

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Hue, Brightness & Saturation in Classical Greek Chroma Termsy, 1969) predicted that Classical Greek . terms should have referred to hue regions of the color space. In this article, I propose an original reading of the Plato’s . (67c68d) that provides additional support to that prediction. It also shows that he was well aware of the distinction between satura

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How Many Colours?light and colour when no one else thought the old one was inadequate, and he argued that his new theory was certainly true! A debate followed, in which Newton defended his claims against the objections of optical heavy weights, Robert Hooke, Christiaan Huygens, and Ignace-Gaston Pardies. One major s

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Goethe , Newton on Colours, Light, and the Philosophy of Scienceshow that Newton’s reasoning is based on a rather narrow choice of experiments, in which parameters such as the distance between the prism and the screen are fixed arbitrarily: Newton’s famous spectrum (with its green centre) occurs only at a specific distance. Once you reduce the distance, the gree

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Dasein Is the Animal That Sorts Out Colors himself, who discusses at length other kinds of experiences, is silent about the topic. There may a be a good reason for that: since he insists on the primacy of meaningful holistic coping with the world, considering colours as an isolated topic may well be the result of adopting a theoretical priv

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Colors: Presentation and Representation in the Fine Arts (the fine arts I’ll focus on in this work) change dramatically depending on the colors that are used to compose them. A black and white reproduction of a Rothko painting loses one of the central traits of the work. It is similarly a crucial aesthetic choice by photographers or filmmakers to have th