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Titlebook: Hollywood‘s Stephen King; Tony Magistrale Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 America.cinema.culture.fict

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书目名称Hollywood‘s Stephen King
编辑Tony Magistrale
视频video
图书封面Titlebook: Hollywood‘s Stephen King;  Tony Magistrale Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 America.cinema.culture.fict
描述For the past three decades, Hollywood has faithfully adapted much of Stephen King‘s fiction into film. Of the many major films that have been made, not one has lost money. Part of this may be explained in terms of King‘s own popularity in American culture; he has been, after all, a best-selling writer since the late 1970s. But more interesting is what this cinematic fascination reveals about postmodern American culture. In the first overview of Hollywood‘s major cinematic interpretations of Stephen King, Tony Magistrale examines the various thematic, narrative, and character interconnections that highlight the relationships among his films. Opening with a revealing interview with Stephen King, the book takes us through chapters that explore such popular films as Stand By Me, Misery, The Shining, The Green Mile, and The Shawshank Redemption among others.
出版日期Book 2003
关键词America; cinema; culture; fiction; film; Hollywood; Narrative; novel; Stand
版次1
doihttps://doi.org/10.1057/9781403980519
isbn_softcover978-0-312-29321-5
isbn_ebook978-1-4039-8051-9
copyrightPalgrave Macmillan, a division of Nature America Inc. 2003
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Defining Heroic Codes of Survival: the Dead Zone, the Shawshank Redemption, the Green Mile,bear a greater affinity with religious, mystical, and folkloric phenomena than with the abject monsters of horror. All this notwithstanding, each of these films revolves around similar protagonists who occupy the respective centers of each narrative and serve to hold the
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,King of the Miniseries: ‘Salem’s lot, it, the Stand, the Shining, Storm of the Century, Rose Red, the American broadcasts of these films often have coincided with a national holiday and/or appear during one of the four “sweep weeks” (a week in November, February, May, and July where A. C. Nielsen collects data that measures and evaluates audience demographics and the comparative popularity of the commercial television networks).
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om the cochlea to the temporal cortex. However, scattered anatomical data have pointed for many years to the presence of neurons with centrifugal axons which run in caudal direction to terminate in nuclei of the classical auditory pathway (.. 1893; ., 1901; ., 1933; ., 1935; ., 1940). The problem ra
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Tony Magistraleom the cochlea to the temporal cortex. However, scattered anatomical data have pointed for many years to the presence of neurons with centrifugal axons which run in caudal direction to terminate in nuclei of the classical auditory pathway (.. 1893; ., 1901; ., 1933; ., 1935; ., 1940). The problem ra
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