Titlebook: Hip-Hop Revolution in the Flesh; Power, Knowledge, an Greg Thomas Book 2009 Greg Thomas 2009 aesthetics.Africa.African.body.cinema.consciou

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,“First Female King”: The Art of Morph and Monarchy in ,’s Beehive,f maleness” (176). Nor is every avatar, icon or embodiment of Eshù-Elégba male, or simply phallic. A “woman Exu,” one who is saluted twice in song at the close of Ella Andall’s . (2007), Pomba-Gira is recognized and examined in Rio de Janeiro at the close of “Pillar at the Crossroads,” accordingly:

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,It’s the Lyrical Sex Pistol: Or, A Rebel Music that Rewrites Anatomy—Rhyme after Fiery Rhyme,eplaces this . (1955) with Public Enemy’s “Rebel Without a Pause” (., 1988). Later, the self-proclaimed “Black Panther of Rap,” Paris supplied a similar message on “Escape from Babylon,” a track from . (1991).