Titlebook: Henry James in Contemporary Fiction; The Real Thing Bethany Layne Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusiv

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Three Women and His Art (Part One): Elizabeth Maguire’s , (2008), Emma Tennant’s , (2002) and Lynne Maguire’s representation of James’s writing as impelled by the closet, Tennant’s critique of his ambiguous relationship with biographical enquiry and Alexander’s use of Alice as a ‘Judith Shakespeare’ to reveal the importance of James’s gender.

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‘The Real Thing?’: Cynthia Ozick’s , (2010) and Michiel Heyns’s , (2012) Heyns’s fears about the legitimacy of his engagement. This is then redeemed by analysis of Heyns’s queering of ., which invigorates the source text and contributes to an evolving critical discussion.

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https://doi.org/10.1007/978-3-030-31650-1Appropriation; Biofiction; Queer; Feminist; Adaptation

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978-3-030-31652-5The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl