Titlebook: Haptic and Audio Interaction Design; 6th International Wo Eric W. Cooper,Victor V. Kryssanov,Stephen Brewste Conference proceedings 2011 Sp

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书目名称Haptic and Audio Interaction Design影响因子(影响力)




书目名称Haptic and Audio Interaction Design影响因子(影响力)学科排名




书目名称Haptic and Audio Interaction Design网络公开度




书目名称Haptic and Audio Interaction Design网络公开度学科排名




书目名称Haptic and Audio Interaction Design被引频次




书目名称Haptic and Audio Interaction Design被引频次学科排名




书目名称Haptic and Audio Interaction Design年度引用




书目名称Haptic and Audio Interaction Design年度引用学科排名




书目名称Haptic and Audio Interaction Design读者反馈




书目名称Haptic and Audio Interaction Design读者反馈学科排名

Baffle

人类

CRACY

整洁漂亮

使服水土

珐琅

Calm Down – Exploiting Sensorimotor Entrainment in Breathing Regulation Applicationteraction with our environment is related to them. In this study, we explore breathing regulation and how it could be supported with an interactive application. The application is based on the concept of entrainment, in which two interacting entities adjust to a common rhythm. The focus is in the de

Frenetic

Equal Intensity Contours for Whole-Body Vibrations Compared with Vibrations Cross-Modally Matched to) of seated subjects over the frequency range from 10 Hz to 250 Hz. Vibrations were presented to subjects using a flat hard seat. In total, 10 participants were asked to match the intensity of different vibrations, using a method of adjustment. The obtained contours were compared with the threshold

防锈

Spinlock: A Single-Cue Haptic and Audio PIN Input Technique for Authenticationt process. Addressing this issue are systems that secure authentication input via PINs or passwords that rely on sets of relatively unobservable tactile or audio cues. However, although secure, such systems typically invoke high levels of cognitive load in their users which is instantiated in length

通情达理

Vibrotactile Recognition by Western and Indian Population Groups of Traditional Musical Scales Playes played by an Indian performer living in Europe: two western, and two oriental. After listening to the scales without touching the harmonium during a training session, subjects had to put their hands on the instrument and wear headphones emitting a masking noise. Under such conditions they evaluate