Titlebook: Haptic and Audio Interaction Design; 5th International Wo Rolf Nordahl,Stefania Serafin,Stephen Brewster Conference proceedings 2010 Spring

finale

闲逛

桶去微染

expansive

Basic Exploration of Narration and Performativity for Sounding Interactive Commodities-based sound synthesis. The emerging process is based on interpretation, and can represent a novel tool in the education of the future generation of interaction designers. In addition, an audio-tactile paradigm, that exploits the potential of the physics-based approach, is introduced.

reception

Ganglion-Cyst

Cross-Modality Matching of Loudness and Perceived Intensity of Whole-Body Vibrationsbrations (WBV) at various frequencies (50 Hz, 100 Hz and 200 Hz). In these experiments, sounds and vertical vibrations were simultaneously presented to subjects using circumaural headphones and a flat hard seat. In total, 10 participants were subjected to tones with a fixed loudness level (40 phon,

粗鲁的人

一大块

The Effect of Spatial Disparity on the Integration of Auditory and Tactile Informationr addresses spatial factors involved in the integration of auditory and tactile information. Perceptual threshold values for auditory-tactile spatial origin disparity were measured using tactile information and sound such as those generated by touching (scraping) an abrasive paper. The results of th

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pulse-pressure

Cross-Modal Frequency Matching: Sound and Whole-Body Vibrations etc. Another reason for growing interest in recent years is the importance of the vibrations generated by the performance of music for multimedia reproduction systems. There is a strong relationship between the frequency of the auditory stimulus and the frequency of the tactile stimulus, which sim