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楼主: Baleful
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https://doi.org/10.1007/978-3-8349-8978-9after his youthful experiments. Only frustration with the slow progress made on . drove him back to the form in the autumn of 1875, as an exercise in style, a relaxing therapy and a way of proving that he had not lost the capacity to write. On holiday in Brittany he began a . retelling the life of S
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Life,entre with a considerable cultural life. He grew up in a house attached to the Hôtel Dieu, or central hospital, of which his father was surgeon-in-chief. His elder brother Achille, born in 1813, became a doctor and succeeded their father in the post.
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,Flaubert’s Literary Ideas, their own works as Flaubert. Yet few if any published so little on these subjects. The Romantic assault on Classical aesthetics led to a proliferation of prefaces and manifestos, and succeeding generations followed suit in propounding the principles of their schools and movements. Flaubert found th
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,Salammbô,of ., threw up another promising subject: the history of Carthage. Neglecting the best-known events, he fixed on an obscure period of three years (241-238 B.C.) when, defeated by Rome in the first Punic War, Carthage engaged in an increasingly vicious local conflict with its own mercenary army, whic
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,L’Education Sentimentale,. The ambiguity lay in the play’s serious human theme: the loss of the heart, the capacity to feel, in the modern world. But the important business was to find a theme for a realistic novel of modern life. In the autumn of 1864 he wrote that it would be the ‘moral’, or more accurately ‘sentimental’
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