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AFFIX

bisphosphonate

1928 and Nature,ed but is, in each case, framed by a commitment to rural living. To understand why these novels matter to each other and to modernist studies, we need to connect two things that readers have generally separated: nature and modernism. To that end, this chapter investigates a particular relation betwe

单色

印第安人

,“Pan in America,” Modernism, and Material Nature,he natural world. “Pan in America” offers an apt coda to . because it restates the book’s major themes: nature is important to modernism, nature is a discursive force in modernist social negotiations, and nature’s material presence has been swept under the carpet of consciousness. In the context of

肥料

,“The Land’s Way is Important in This Story”:,pitious for ecocritical appraisals of modernism; each field pulls the other toward reinvention. My task in this opening chapter is to reframe the critical conversation around ecocriticism and then propose a critical apparatus for reading modernism and the environment together.

鉴赏家

,“A Choice of Nightmares”,odern Europe’s unfolding knowledge of nature and its changing knowledge of itself. In this sense . is about the cultural boundaries that separate person from place, and more significantly about repositioning human beings within a new understanding of nature. One place to detect this new understandin

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Cpap155

1928 and Nature,shows modernist novels using rural landscape to imagine a form for national regeneration in the 1920s. Looking at landscape as an environmental discourse in . and ., we find that the literature of late modernism makes land an active force for regenerating a nation, reconstructing personal identity,

anchor

,“Pan in America,” Modernism, and Material Nature,the feet of an active human subject. In its place Lawrence offers readers nature as a complex, material realm where vigorous things interpenetrate human experience, and where “man” is redeemed by “a ceaseless living relation to his surrounding universe” (30). “Pan” stakes out an ontological position

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