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A Sort of Autobiography: Epigraphs and Dedications,ene was always good at titles). As he explains, it is a description of the limitations of autobiography as a form (it can only tell a partial truth); it is also an evocation of a life only partially fulfilled, like most people’s (it calls to mind Stan Barstow’s evocative title, ., for the sad and co
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Poets of Criminality and Conscience: Greene and Hitchcock,hat there is something distinctly perverse about Greene’s consistent denigration of Hitchcock. In his review of Hitchcock’s . for . (15 May 1936), Greene had complained of what he called the director’s ‘inadequate sense of reality … he has no sense of life. His films consist of a series of small “am
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Conclusion: Forgotten Memories,have been familiar with from A . — namely, the virtue and cultivation of a poor memory, so that ‘what you forget becomes the compost of the imagination’. In encouraging Maude Pratt to write, Greene says: The less you know the better. You have forgotten memories.r. It is a telling phrase because it c
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eils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.978-3-662-34345-6978-3-662-34616-7
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