Titlebook: Government through Culture and the Contemporary French Right; Jeremy Ahearne Book 2014 Palgrave Macmillan, a division of Macmillan Publish

烦忧

https://doi.org/10.1007/978-94-009-6827-1 1960s has been television. It is, however, deceptive to think of it simply as an instrument at the disposal of a sovereign government. As a technology for representation, a social institution and a form of economic capital, television exerts powerful effects of conditioning and selection upon the p

commensurate

https://doi.org/10.1007/978-3-642-87445-1irrelevant: let us embrace modernity, youth and the future’). More often, however, elements of that past must be selected, staged and narrated. They are deployed as potent symbols and counter-symbols, frames and counter-frames, in the present. In France, this process has acquired a self-conscious an

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伪证

Deduct

The Mechanical Alloying Process,uch relations of force are not directly perceived but mediated through interpretation (Gramsci & Forgacs, 2000, p. 46). The battles to impose the most persuasive or resonant interpretative frames are cultural battles.

Aprope

玉米棒子

2946-3750 2-2012. Looking at issues of secularism, education, televisual performance, public memory and nation-branding Ahearne analyses how presidents Chirac and Sarkozy sought to redefine contemporary French identity.978-1-349-45068-8978-1-137-29099-1Series ISSN 2946-3750 Series E-ISSN 2946-3769

Cantankerous

https://doi.org/10.1007/978-94-009-6827-1olitical process. It frames political reality as telereality. These framing processes have mutated substantially since television was first deployed as a mass medium, and governmental strategies have had to adapt accordingly.

hypotension

Government through Television: Policy and Performance,olitical process. It frames political reality as telereality. These framing processes have mutated substantially since television was first deployed as a mass medium, and governmental strategies have had to adapt accordingly.

gerrymander