Titlebook: Gothic Romanticism; Architecture, Politi Tom Duggett Book 20101st edition Tom Duggett 2010 Close reading.Coleridge.Romanticism.Samuel Taylo

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Radical Gothic: Politics and Antiquarianism in , (1794),fy the law. Changing tastes determined that when Henry Bohn printed Gillray’s . in 1851, . was among the “suppressed plates” consigned to a separate supplement (Bohn, ed. 1851, II, pl. 32). But the print’s early audience was almost certainly more amused than scandalized.

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,“By Gothic Virtue Won”: Romantic Poets Fighting the Peninsular War,ught consistently to present his imperial enterprise as a progressive campaign against what Burke had designated “the old Germanic or Gothic custumary” of “every country in Europe” (1796, 110). The “Germanic body” of the Holy Roman Empire, described by Burke as “a vast mass of heterogeneous States,

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Conclusion,of this book has been designed to suggest, the Lake Poets were fully engaged in the process by which Britain, with its “love for shows,” was transformed into what Edward Bulwer-Lytton’s . (1831) called “the Staring Nation” (45).

彩色的蜡笔

https://doi.org/10.1007/978-3-8349-3823-7ith his blank unsignalized Shield, upon some day of solemn tournament, at the Court of the Faery-Queen… [H]e looks round him with a beating heart; dazzled by the gorgeous pageantry, the banners, the impresses, the Ladies of overcoming beauty, the Persons of the knights… ”(. II, 20).

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2691-1256 e Gothic Revival. Reading a wide range of canonical and raretexts, and spanning the Romantic discourses of architecture, politics, and literary form, the book recovers the collaborative project of Wordsworth, Coleridge, and Southeyfor a purified ‘Gothic‘ poetry and a ‘second Gothic‘ culture.978-1-13

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