Titlebook: Gothic Returns in Collins, Dickens, Zola, and Hitchcock; Eleanor Salotto Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2

Cabg318

d desires of both characters and plots which defy direct representation, resulting in obsession, fetishism and displacement engendering a novel account of the way in which the gothic becomes internalized.978-1-349-73653-9978-1-137-11770-0

epidermis

978-1-349-73653-9Palgrave Macmillan, a division of Nature America Inc. 2006

essential-fats

convulsion

Integrating People, Planet and Profittroduces the ghostly production of the voice; the voice is no longer one, but is doubled. The double narration thus becomes the locus of haunting in that the ghostly pro-duction of the double narrative entails death and resurrection as each narrator stops and begins his or her portion of the narrative.

grudging

phlegm

解开

LARK

Arthritis

,Shopping for an “I”: Zola’s ,and the Spectacle of Identity,faces in changed forms in the novel through the dynamics of the multiplot and through buried first person narration. While Dickens’s novel focuses on drowning by death through representation and the consequent transforming of the self into an image, Zola advances the change in novelistic representation by conceiving of the self as pure spectacle.

Adornment

https://doi.org/10.1007/978-3-8349-9295-6iscourse present in the realistic novel and an “irrational” discourse of the gothic that was more closely aligned both fictively and realistically with woman’s legal and social position in nineteenth-century Britain.