Titlebook: Gothic Radicalism; Literature, Philosop Andrew Smith Book 2000 Andrew Smith 2000 critical theory.psychoanalysis

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History and the Sublime, Agrippa. This idea of using the past in order to define the present is something which Mary Shelley also explores in two of her tales, ‘Valerius: the Reanimated Roman’ and ‘The Mortal Immortal: a Tale’. As in ., it is the return of the past which unsettles the sublime in these tales, but before loo

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Sublime Utterance: Gothic Voyages, Going Public with the Private,her threat is associated with changes in attitude towards solitude. This is particularly relevant for the Romantic era, in which the roots of this change can be observed. In Romanticism there emerges a fascination with public discourse which is ultimately matched by a Gothic rewriting of the sublime

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Ethics Taxonomy Dimension 4: Society,version of the uncanny, I do acknowledge that his identification of an inherent instability within the Gothic sublime is a useful starting-point for our analysis. This idea of instability can also be extended to accounts of the Romantic sublime; an analysis of which enables us to bring together a Go

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Accounts in context: Themes and issues,. Shelley’s complex critique of sublimity bears a direct correlation with Foucault’s work on the arrival of modernity and its struggle to throw off the Classical episteme. Foucault’s . . is especially useful in this context as, although he does not explicitly refer to the sublime, he does identify a

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https://doi.org/10.1007/978-981-13-1062-1 Agrippa. This idea of using the past in order to define the present is something which Mary Shelley also explores in two of her tales, ‘Valerius: the Reanimated Roman’ and ‘The Mortal Immortal: a Tale’. As in ., it is the return of the past which unsettles the sublime in these tales, but before loo