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Titlebook: Gothic Dissections in Film and Literature; The Body in Parts Ian Conrich,Laura Sedgwick Book 2017 The Editor(s) (if applicable) and The Aut

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发表于 2025-3-21 17:09:12 | 显示全部楼层 |阅读模式
书目名称Gothic Dissections in Film and Literature
副标题The Body in Parts
编辑Ian Conrich,Laura Sedgwick
视频video
概述First book to focus on the Gothic whilst exploring a diverse range of body parts across film and literature.The chapters break the body into separate parts and explore each one through clear and origi
丛书名称Palgrave Gothic
图书封面Titlebook: Gothic Dissections in Film and Literature; The Body in Parts Ian Conrich,Laura Sedgwick Book 2017 The Editor(s) (if applicable) and The Aut
描述This is the first book-length study to systematically and theoretically analyse the use and representation of individual body parts in Gothic fiction. Moving between filmic and literary texts and across the body—from the brain, hair and teeth, to hands, skin and the stomach—this book engages in unique readings by foregrounding a diversity of global representations. Building on scholarly work on the ‘Gothic body’ and ‘body horror’, .Gothic Dissections in Film and Literature. dissects the individual features that comprise the physical human corporeal form in its different functions. This very original and accessible study, which will appeal to a broad range of readers interested in the Gothic, centralises the use (and abuse) of limbs, organs, bones and appendages. It presents a set of unique global examinations; from Brazil, France and South Korea to name a few; that address the materiality of the Gothic body in depth in texts ranging from the nineteenth century to the present; fromNikolai Gogol, Edgar Allan Poe, Roald Dahl and Chuck Palahniuk, to David Cronenberg, Freddy Krueger and .The Greasy Strangler.. .
出版日期Book 2017
关键词Body horror; Gothic body; body parts on screen; eyes on screen; genitalia in film; representations of the
版次1
doihttps://doi.org/10.1057/978-1-137-30358-5
isbn_ebook978-1-137-30358-5Series ISSN 2634-6214 Series E-ISSN 2634-6222
issn_series 2634-6214
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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发表于 2025-3-21 21:39:15 | 显示全部楼层
The Tongue, Mouth and Lips,g Victor Hugo’s novel . (1869) and its film adaptation, . (1928), while the lips sealed shut are addressed using the films . (2005) and . (2014). Lips suspended during ventriloquism is discussed using Edgar Allan Poe’s 1845 short story ‘The Facts in the Case of M. Valdemar’ and the film . (2007).
发表于 2025-3-22 02:12:49 | 显示全部楼层
Hair and Fingernails,ir growth and hair in unfamiliar places is discussed in the films . (2000) and . (., 2007). The horror of cut hair is part of a focus on the novel . (2001). Bestial hair is addressed in the short film . (1989) and . (1971). Monstrousness and long fingernails are examined in the . films, and the work of director José Mojica Marins.
发表于 2025-3-22 05:02:43 | 显示全部楼层
Skin,s (1981–2013), . (1993), . series (1974–2017) and the novel . (1988). Decorated skin is discussed using the novels . (1992) and . (2015), the film . (2007), and the short story and screen adaptation of Clive Barker’s ‘The Book of Blood’ (1984; 2009). Surgically modified skin is addressed using the films . (1977) and . (2017).
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Genitalia,es the castrating power of the avenging woman and female genitals using the film . (2007) and Clive Barker’s . short story ‘The Madonna’. The extreme links between sex and death, the mutilated and the desecrated body, are explored using the films . (1981), . (2008) and . (2009), the German horror film . (1991) and the novel . (1984).
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发表于 2025-3-23 00:17:13 | 显示全部楼层
https://doi.org/10.1007/978-3-322-92729-3 Brain experimentation is addressed using H.G. Wells’s . (1896) and films based upon Mary Shelley’s . (1818). The powerful brain detached from a body is considered using . (1942) and its screen adaptations, and the films . (1987) and . (1988).
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发表于 2025-3-23 07:45:58 | 显示全部楼层
Forefathers and Other Ancestral Figuresg nose is discussed using the novel . (1910) and its 1925 screen adaptation, and the cult horror film . (2016). The ear as an orifice open to invasion is discussed using Oscar Cook’s short story ‘Boomerang’ (1931) and its television adaptation.
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