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Titlebook: Gothic Cinema; An introduction Katharina Rein Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springe

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书目名称Gothic Cinema
副标题An introduction
编辑Katharina Rein
视频video
概述First overview of the genre in German.Compact and concise introduction.Offers a multidisciplinary approach
图书封面Titlebook: Gothic Cinema; An introduction Katharina Rein Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springe
描述.Gothic Cinema .closes a gap in German-language film discourse: for the first time, the volume sheds light on a hitherto little-discussed film context. It considers Gothic Cinema as a form of unofficial historiography that allows a look not only at the history of film and its technique, but also at moral concepts, gender relations, collective fears or aesthetic currents. A delimitation and definition of the term and the central elements of the Gothic are followed by a comprehensive historical overview from 1896 to the present day. Three in-depth analyses of individual post-2015 gothic films and television series round out the review. On the one hand, the examples examined are representative in terms of typical elements, motifs or topoi, and on the other hand, they exhibit peculiarities and breaks that prove fruitful for a cultural and media studies investigation..
出版日期Book 2023
关键词Gothic in film; Horror Movies; Film genre: Horror; History of the (horror) film; Moral concepts in film;
版次1
doihttps://doi.org/10.1007/978-3-658-40721-6
isbn_softcover978-3-658-40720-9
isbn_ebook978-3-658-40721-6
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Fachmedien Wies
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Gothic Cinema After 1960 in Chap. . had already begun to crumble in the postwar period, after 1960, Gothic cinema changed substantially. The traditional Gothic aesthetic, previously visualised in black-and-white, was challenged by color film, by a bolder depiction of sex and violence and, finally, by the shift away from hi
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Between the Old and the Newo the domestic screen via online streaming services. Briefly analysing the TV series . (2014–2016) as an example, this chapter discusses a central dilemma that the Gothic faces: the balancing act between adapting Gothic literary classics and traditional Gothic aesthetics, and implementing a visualit
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The Haunting of Hill House (2018)iums, modern technical media like phonography, photography or telephony have been realigning the parameters of space and time through operations of recording, storing, and transmitting. This chapter examines the haunted house in Mike Flanagan’s 2018 adaptation of Shirley Jackson’s . (1959) as a haun
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Male Reproductive Function and Semenn down, not least because of its overlap with the horror genre and its historical mutability. This introductory chapter also discusses the Gothic in different contexts such as literature, art and architecture as well as the distinctions and similarities between the Gothic and Dark Romanticism as wel
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