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Titlebook: Gossip and Subversion in Nineteenth-Century British Fiction; Echo‘s Economies Jan B. Gordon Book 1996 Palgrave Macmillan, a division of Mac

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The Challenge Sustainability Management, very figures entrusted by Jane Austen’s narrators with that most precious of all commodities: information that is either privileged or pretends to privilege, from agents (disguised as sources) who are never really either one. Gossip, perhaps like all criticism, must find a place for its representat
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Patterns in Safety-Related Projectsved with their own alterity. He gains the illusion of his admission to the labyrinthine ‘penetralium’ which he imagines to be a ‘perfect misanthrope’s heaven’ (. 1, p. 45) at the same time that his own text, the diary begun in 1801, is provisionally admitted to the canon of supplementary, unfinished
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Pauline Alderson,Martin Rowland of radical tutors; an increasing cynicism regarding civilized social values; deaths imagined as partially self-destructive; and the representation of guilt as a transmissible inscription, a body made into a quasi-text which can be .. Jude’s image, Father Time, and Dorian’s, Basil’s infamous portrai
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,‘The Persistence of the “Vocalic”’: Scott and the Early Strategies of Accommodation,exercises are deployed so as to assist his ward in the development of a specific kind of historical recall — of those events which shaped the family at whose head Edward Waverley will someday stand.. The noble life is one of continuous dedication.
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A-filiative Families and Subversive Reproduction: Gossip in Jane Austen, very figures entrusted by Jane Austen’s narrators with that most precious of all commodities: information that is either privileged or pretends to privilege, from agents (disguised as sources) who are never really either one. Gossip, perhaps like all criticism, must find a place for its representat
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,‘Too Meeny’: Jude, Dorian and the Life of the Secondary, of radical tutors; an increasing cynicism regarding civilized social values; deaths imagined as partially self-destructive; and the representation of guilt as a transmissible inscription, a body made into a quasi-text which can be .. Jude’s image, Father Time, and Dorian’s, Basil’s infamous portrai
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Gossip and Subversion in Nineteenth-Century British Fiction978-0-230-37694-6
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