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Titlebook: Gloria Anzaldúa’s Hemispheric Performativity; Pieces, Shuffles, La Romana Radlwimmer Book 2023 The Editor(s) (if applicable) and The Author

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发表于 2025-3-21 16:43:07 | 显示全部楼层 |阅读模式
书目名称Gloria Anzaldúa’s Hemispheric Performativity
副标题Pieces, Shuffles, La
编辑Romana Radlwimmer
视频video
概述Explores Anzaldúa’s contribution to the wave of feminist performativity in the Americas at the turn of the millennium.Builds on performance studies, as well as feminist and decolonial theory.Sheds new
丛书名称Literatures of the Americas
图书封面Titlebook: Gloria Anzaldúa’s Hemispheric Performativity; Pieces, Shuffles, La Romana Radlwimmer Book 2023 The Editor(s) (if applicable) and The Author
描述This Palgrave Pivot offers new insights into leading Chicana writer Gloria Anzaldúa, investigating the dynamic composition of her texts, and situating her work in a larger hemispheric tendency of performativity emerging at the turn of the millennium. Presenting Anzaldúa as a quintessential figure of feminist and decolonial theory-making in the Americas, this book argues that the Chicana writer articulated her notions on fluctuations through “performative concepts” which did not respect the borders of single texts or editions, but organically grew through them. The offered close readings of Anzaldúa’s published works, drafts, and archive material demonstrate the constant changes and intertwined phases of her literary and conceptual production.
出版日期Book 2023
关键词Literature, Gender and Sexuality; Feminism and Feminist Theory; Chicanx; Identity; Materiality; Mexican A
版次1
doihttps://doi.org/10.1007/978-3-031-21870-5
isbn_ebook978-3-031-21870-5Series ISSN 2634-601X Series E-ISSN 2634-6028
issn_series 2634-601X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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https://doi.org/10.1007/978-88-470-2065-8nes of the Americas. Overhearing Caribbean women talking to each other, it dawned on the girl that language is continuously reinvented: “The first time I heard two women, a Puerto Rican and a Cuban, say the word ‘.,’ I was shocked. I had not known the word existed. Chicanas use . whether we’re male
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Scissors and Glue: Material Writing Dynamics,er the floor. On hands and knees, she tried to find the right order for words and concepts. She rearranged the pieces in new settings, gluing sentences and paragraphs together like a puzzle. This tactile dealing with text guided her way of constructing concepts. She did not aim for a linear, logical
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,Three Museums: “Border Arte’s” Multiplications,useum of Natural History on September 26, 1992, Anzaldúa’s fiftieth birthday and the monumental exhibit’s opening day. . ran for five months, until February 21, 1993, and counted 721,000 visitors. On 35,000-square-feet, over three galleries on two floors and an atrium, it displayed more than three h
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,A Hemispheric Perspective on Anzaldúan Textualities,nes of the Americas. Overhearing Caribbean women talking to each other, it dawned on the girl that language is continuously reinvented: “The first time I heard two women, a Puerto Rican and a Cuban, say the word ‘.,’ I was shocked. I had not known the word existed. Chicanas use . whether we’re male
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The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Gloria Anzaldúa’s Hemispheric Performativity978-3-031-21870-5Series ISSN 2634-601X Series E-ISSN 2634-6028
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