Titlebook: Globalization, Oral Performance, and African Traditional Poetry; Abdul-Rasheed Na’Allah Book 2018 The Editor(s) (if applicable) and The Au

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Globalization, Oral Performance, and African Traditional Poetry978-3-319-75079-8

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Hiromitsu Yamagishi,Rigoberto Moncada presents his theoretical framework and defines the major terms and concepts used in the book, explaining where some of them deviate from their traditional connotations. At the end of this chapter, the history, form and status quo of Ilorin social class are discussed and the place of . oral poets established therein.

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矛盾

African Art and the Crisis of Poverty and Social Divisions in a Global Era, presents his theoretical framework and defines the major terms and concepts used in the book, explaining where some of them deviate from their traditional connotations. At the end of this chapter, the history, form and status quo of Ilorin social class are discussed and the place of . oral poets established therein.

HUMP

Conclusion,ural strength and the survival of the poor and the helpless. It argues for a modernization that improves and innovates, from “within the true indigenous values and principles,” insisting that modernization is not westernization.

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Canvas

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Criticism of African Art and Literature,The author defines the new global bourgeois and proletariat aesthetics and identifies where oral literature attains a global position. This chapter concludes by establishing the place of Ilorin oral literature within the new global reality.