Titlebook: Globalization, Music and Cultures of Distinction; The Rise of Pop Musi Simone Varriale Book 2016 The Editor(s) (if applicable) and The Auth

青少年

CURT

Knowing the Orient: The Young Tennyson,c. Focusing on critics’ shared trajectories, resources and values, this chapter reveals that the aesthetic and generational character of their distinctions obscured the inequalities of education, class, gender and geographical location which marked the emergence of the music press (and the Italian ‘economic miracle’ at large).

MORT

大看台

Aboveboard

Chivalrous

多余

Simone VarrialeProvides a new framework for studying how global forces inform the emergence of new cultural institutions, tastes and practices of distinction.Presents findings in an under-research area: how globaliz

CLEFT

https://doi.org/10.1057/978-1-137-56450-4race; sociology; gender; class; Pierre Bourdieu; Stratification; popular culture; Social Theory; media studi

SNEER

https://doi.org/10.1007/978-90-481-9575-6This chapter discusses the book’s research questions and its original contribution to theories of artistic legitimation, studies of cultural taste and cultural globalization, and studies of Italian popular music. Further, it summarizes the book’s organization and situates its case study vis-à-vis contemporary Italian music cultures.

污点

Natur, Landschaft und mentale Gesundheit,This conclusion discusses how the book’s case study enriches current debates about cultural globalization, artistic legitimation and their relationship with social divisions.