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Titlebook: Globalization and Latin American Cinema; Toward a New Critica Sophia A. McClennen Book 2018 The Editor(s) (if applicable) and The Author(s)

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发表于 2025-3-21 16:20:56 | 显示全部楼层 |阅读模式
书目名称Globalization and Latin American Cinema
副标题Toward a New Critica
编辑Sophia A. McClennen
视频video
概述Offers an exciting new way of thinking about national and regional cinemas through a bravura blend of political economy, policy analysis, and international cultural studies.Mixes discourses and method
丛书名称Palgrave Studies in Globalization, Culture and Society
图书封面Titlebook: Globalization and Latin American Cinema; Toward a New Critica Sophia A. McClennen Book 2018 The Editor(s) (if applicable) and The Author(s)
描述Studying the case of Latin American cinema, this book analyzes one of the most public - and most exportable- forms of postcolonial national culture to argue that millennial era globalization demands entirely new frameworks for thinking about the relationship between politics, culture, and economic policies. Concerns that globalization would bring the downfall of national culture were common in the 1990s as economies across the globe began implementing neoliberal, free market policies and abolishing state protections for culture industries. Simultaneously, new technologies and the increased mobility of people and information caused others to see globalization as an era of heightened connectivity and progressive contact. Twenty-five years later, we are now able to examine the actual impact of globalization on local and regional cultures, especially those of postcolonial societies. Tracing the full life-cycle of films and studying blockbusters like. City of God., .Motorcycle Diaries., and .Children of Men. this book argues that neoliberal globalization has created a highly ambivalent space for cultural expression, one willing to market against itself as long as the stories sell. The r
出版日期Book 2018
关键词globalization; national culture; 1990s; economies; neoliberal; free market policies; new technologies; cult
版次1
doihttps://doi.org/10.1007/978-3-319-57060-0
isbn_softcover978-3-030-09621-2
isbn_ebook978-3-319-57060-0Series ISSN 2730-9282 Series E-ISSN 2730-9290
issn_series 2730-9282
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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Sophia A. McClennenOffers an exciting new way of thinking about national and regional cinemas through a bravura blend of political economy, policy analysis, and international cultural studies.Mixes discourses and method
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https://doi.org/10.1007/978-3-322-97460-0aradigm focuses on the deep ambivalence of working within neoliberalism and against it at the same time. And it argues that neoliberalism renders culture a commodity at the same time that communities fight to reinvest cultural struggles with political potential.
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Allgemeine Informationen zu Interventioneneir potential impact on the political messaging of these films. In some cases, it will be clear that there is a disconnect between funding practices and the political impact of a film; in others there will be more overt and obvious forms of influence.
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Zelluläre und farbgebende Elemente González Iñárritu. The third example examines the work of Gael García Bernal, since his work as an actor has to be read in the larger context of his efforts to support filmmaking in Mexico through production support.
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Introduction: Toward a New Critical Paradigm for the Study of Culture and Globalization,aradigm focuses on the deep ambivalence of working within neoliberalism and against it at the same time. And it argues that neoliberalism renders culture a commodity at the same time that communities fight to reinvest cultural struggles with political potential.
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