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Titlebook: Global Tokyo; Heritage, Urban Rede Jiewon Song Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spring

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https://doi.org/10.1007/978-3-663-13229-5laces and urban manifestations in the making of the global city, through the lens of heritage-led urban regeneration. It adopts contact zone theory, with a consideration of hybridity and hybridization, to illustrate the complexity and the hidden meanings involved in heritage-led regeneration. The th
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https://doi.org/10.1007/978-3-322-84553-5 purpose of portraying the power and glory of modern Japan has become difficult heritage because of the blame for World War II. It takes a while for urban heritage to become embedded in the national heritage system, which is geared to the rationale of ancient monuments such as antiquities, shrines a
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https://doi.org/10.1007/978-3-322-84607-5vernment agencies and heritage experts engaged with the term authenticity on the country’s entry into the UNESCO World Heritage league, deployed Japanese heritage practice in Nepal and nominated Japanese national monuments for the World Heritage List. This provided an opportunity to challenge Europe
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Kostenrechnung und Preispolitik,ggered by the bubble economy and its after-effect, which severely hit major cities across Japan, including Tokyo. While long-term economic recession increased pressure on urban redevelopment and escalated the demolition of urban heritage properties, the national government’s deregulation policies pr
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https://doi.org/10.1007/978-3-663-07996-5itious municipal authority joined with Mitsui to bring its urban vision of Nihonbashi to life. They collaboratively positioned conservation of the Mitsui Main Building and its block redevelopment at the heart of the process of engineering the authenticity of Nihonbashi, using various urban planning
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Problemstellung und Aufbau der Arbeit, yet distinct process. Since its first acquisition in the enclave in 1890, Mitsubishi has shown strong determination to pursue not only development but also conservation of urban heritage. At the turn of the twenty first century, it brazenly brought the Mitsubishi Ichigokan back to life, while the c
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