Titlebook: Global Mexican Cultural Productions; Rosana Blanco-Cano,Rita E. Urquijo-Ruiz Book 2011 Palgrave Macmillan, a division of Nature America In

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[Border] and Transborder Existences: Binding Megascripts in a Transnational Worldships in which persons on both sides of the border participate in mutual fields and arenas in southwest North America and beyond. These may be symmetrical or asymmetrical, open-or close ended, and certainly political, economic, and social. Here is one example of the limited definition in which Mixe-

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Transnational Narratives, Cultural Production, and Representations: Blurred Subjects in Juárez, Méxi city’s outskirts. All nine deaths were apparently perpetrated by an alleged serial killer. The most stunning part of the discovery at that time was that there was no indication in modern Mexico’s crime history of any other act of similar nature and magnitude except for Goyo Cárdenas, a serial kille

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, [Here and There]: Distance and Difference in Monica Palacios’s , [Transborder] Chicana Performancens between cultures and nations. Her flesh itself becomes her line drawn in the dirt. The cries with which she punctu-ates her admission lend a performativity to her theorization. Whether wails of lament, loss, or melodic musing, Anzaldúa’s “ay” voices both the passion and pain of her borderlands ex